About Us

With 10 years of experience in the Brazilian audiovisual market, Olho de Vidro Produções delivers a wide range of projects, from artistic work in film, music videos, television, and streaming to advertising campaigns, corporate content, and digital marketing. Our goal is to bring a cinematic perspective to every production we create. Throughout our journey, we have built important partnerships with nationally recognized brands, whether through television advertising or digital marketing. Companies such as Perdigão, Neoenergia, Nubank and Santander have trusted us to produce their audiovisual content.

Olho de Vidro has been developing a distinctive cinematic language, with a particular focus on genre film. Exploring comedy, horror, and the fantastic as some of its central interests, the production company’s work draws on elements from these worlds to shed light on issues that resonate with contemporary society. Short films such as "Não Falo com Estranhos” (2017), “Onze Minutos” (2018), “Pelano!” (2019) e “Mamãe!" (2021), have accumulated 62 awards and more than 350 selections at national and international film festivals, such as the Brasília Film Festival, Tiradentes Film Festival, Cine PE, and Panorama Internacional Coisa de Cinema.

As a production company based in Brazil’s Northeast, Olho de Vidro also invests in education, periodically offering independent filmmaking workshops for people who wish to begin exploring the audiovisual language. The company has held two editions of the Independent Film Course and one edition of Matura Cine – Learning Cinema After 50, two initiatives that seek to democratize knowledge of the seventh art across different areas of society.

Olho de Vidro Produções is also one of the production companies behind the six editions of Mostra Lugar de Mulher é no Cinema, a film festival from Bahia that brings together films made by women and non-binary people. In 2022, the company produced the podcast Nosso Cinema, publishing a series of interviews with women filmmakers from Bahia.

Team

Klaus
Hastenreiter

Director and screenwriter, and partner at the audiovisual production company Olho de Vidro Produções. With a background in Performing Arts from UFBA (Federal University of Bahia) and Film from the New York Film Academy, he has written, directed, and produced around 15 short films that have received awards at film festivals, including “Não Falo com Estranhos” (2017), which won 11 awards at competitive festivals and showcases such as the 21st CINE PE (Best Director) and the 13th Panorama Internacional Coisa de Cinema (Best Short Film from Bahia, Youth Jury), and “Mamãe” (2021), a project approved under the Aldir Blanc Law in 2021. His three feature film projects currently in development, “Meninos de Cinema,” “Borderô,” and “Júlia,” were selected in different years for the PANLAB screenwriting laboratory, where he received consulting from experienced audiovisual industry professionals such as Aleksei Abib, Caetano Gotardo, and Viviane Ferreira. In 2020, he was selected for the Usina do Drama extension project, where he received mentorship from Amanda Aouad for his television series project “Vida de Artista.” He has taught independent filmmaking courses since 2017 and is also a professor and producer of the Matura Cine – Learning Cinema After Fifty course.

Hilda Lopes
Pontes

Filmmaker and screenwriter, she holds a master’s degree in Performing Arts from the Federal University of Bahia. She has made six short films through her production company, Olho de Vidro Produções. Her films have received more than 200 selections at national and international festivals, including the Tiradentes Film Festival, Triunfo Film Festival, and Panorama Coisa de Cinema, and have received 19 awards. She is the creator and coordinator of Mostra Lugar de Mulher é no Cinema (Women Belong in Cinema Film Festival), established in 2017. Between 2018 and 2020, she wrote three feature film screenplays, all of which were selected for the Panorama Coisa de Cinema Screenwriting Laboratory.

Winner of the Best Editing Award at the Mimoso Film Festival for the film “Não Falo com Estranhos” in 2018, she has been editing and assembling audiovisual projects since 2014. In the field of education, in addition to masterclasses and panel discussions at events and festivals, she taught three editions of Olho de Vidro Produções’ Independent Film Course (2018/2019) and the Matura Cine – Learning Cinema After Fifty course in 2021. She also directed and wrote the short film “Mamãe” (2021), a project approved under the Aldir Blanc Law in 2021, which won the Best Short Film from Bahia Award from the APC-BA (Bahia Association of Producers and Filmmakers) jury at Panorama Coisa de Cinema.

In 2022, she created the Nosso Cinema project, in which she mapped and conducted a series of interviews with active women directors from Salvador. The project was selected through the Bahia state government’s Cultura na Palma da Mão public funding program.

Thiago
Duarte

Thiago Duarte graduated in Film and Video from FTC – Faculdade de Tecnologia e Ciências (Faculty of Technology and Sciences) in 2013. He worked as an assistant director on the music video “Cartas” by the band Charlot, as director of the short film “Olhares,” as producer of the short film “Entre o Mar e a Areia,” and as director of photography on the web series “Inúteis” and the short films “Estela,” “Não Falo com Estranhos,” “O Sorriso de Felícia,” “A Triste Figura” (winner of the Best Cinematography Award at the Gato Preto Film Festival), and “Onze Minutos” (winner of the Best Cinematography Award at Petit Pavé).

Calebe
Lopes

Filmmaker from Bahia with a particular interest in fantastic cinema, Calebe has directed short films such as “A Triste Figura” (2018) and “Pelano!” (co-directed with Chris Mariani, 2019), which have been screened and awarded at dozens of film festivals in several countries, including the Brasília Film Festival, Tiradentes Film Festival, and Fantaspoa. He is currently developing the screenplay for “Menarca,” his first feature film, co-written with Marina Lordelo.

He has worked as an editor on short films such as “Onze Minutos” (2018), “Sol e Lua” (2018), and “Confronto Casual” (2016), among others. He directed and edited the sound for short films such as “Fica Bem” (2020) and “Em Cima do Muro” (2019). He has taught courses such as Olho de Vidro Produções’ Independent Film Course and Matura Cine.

Structure

Olho de Vidro has state-of-the-art equipment, including cameras capable of recording 6K images, as well as a variety of lens kits to better meet the needs of each type of project. In addition to different types of microphones for recording a range of audio formats, we have our own 25 m² video studio located at our headquarters, equipped with professional lighting and white and chroma key background options.

At our studio or on location, we also provide live streaming services for YouTube and other social media platforms, using a production switcher that supports up to four cameras, along with powerful computers to stream your live events with speed and reliability.